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Review: Everybody Loves Touda CANNES 2024: As a singer and a woman in search of freedom, Nisrin Erradi magnetises a poignant, classic yet imperfect melodrama by Nabil Ayouch   17/05 | Cannes 2024 | Cannes Premiere Review: The Belle from Gaza CANNES 2024: Yolande Zauberman continues to reveal the hidden, nocturnal side of Israeli society with an intimacy of exceptional intensity   17/05 | Cannes 2024 | Special Screenings Review: Three Kilometres to the End of the World CANNES 2024: In the best Romanian tradition, Emanuel Pârvu spins a highly sophisticated yarn in a small village in the Danube Delta where a brutal event sees diverging interests intertwined   17/05 | Cannes 2024 | Competition The announcements made at Cannes' Marché du Film CANNES 2024: An overview of the acquisitions, sales, new films and more unveiled at the Cannes market, taking place from 14-22 May   17/05 | Cannes 2024 | Marché du Film Interview: Hala Elkoussy • Director of East of Noon “Art has to be pertinent” CANNES 2024: The visual artist-turned-director brings a satirical bite to the festival, as she shows generations that clash, hoping for a better life   17/05 | Cannes 2024 | Directors’ Fortnight Review: Holy Cow CANNES 2024: Louise Courvoisier blows in a fresh wind with her first feature, following a young man with his back against the wall who sets out on an unprecedented adventure   17/05 | Cannes 2024 | Un Certain Regard Review: The Brink of Dreams CANNES 2024: Egypt’s Nada Riyadh and Ayman El Amir follow a group of young women as they challenge longstanding norms by starting an all-female street-theatre troupe   17/05 | Cannes 2024 | Critics’ Week Review: The Shameless CANNES 2024: Konstantin Bojanov’s third feature follows a doomed lesbian romance in contemporary India while diving into the local brothel culture, steeped in misogyny   17/05 | Cannes 2024 | Un Certain Regard Interview: Rúnar Rúnarsson • Director of When the Light Breaks "I wanted the audience to get a sense of reality, beauty, and emotions in the grey zone, between the dark and bright peaks of life" CANNES 2024: The Icelandic filmmaker talks about what's behind of his new film , an emotional and honest exploration of grief   17/05 | Cannes 2024 | Un Certain Regard Sarajevo unveils this year’s CineLink Drama selection Six drama-series projects, realised as co-productions involving a total of nine countries, will be presented during Sarajevo’s CineLink Industry Days in August   17/05 | Sarajevo 2024 | CineLink Industry Days The path “From Telling Stories to Playing Stories” explored at the Marché du Film CANNES 2024: The relationship that unites various storytelling media, along with the ways in which video games become IPs for narrative adaptation, was the key focus during the panel   17/05 | Cannes 2024 | Marché du Film Interview: Lina Flint • Producer, Scanbox Productions “Growing up in a theatre truly shaped me as a film producer” The Danish Producer on the Move unpacks her career, her producing job and the ambitious new projects she’s got lined up   17/05 | Producers on the Move 2024 Chicken for Linda and Tony, Shelly and the Magic Light triumph at Anifilm Chiara Malta and Sébastien Laudenbach's feature won across international categories, and Filip Pošivač's children's film achieved the same feat in the Czech Horizons programme   17/05 | GoCritic! | Anifilm Liberec 2024 Review: It Doesn’t Matter CANNES 2024: US indie maverick Josh Mond’s second feature sees a filmmaker arranging his troubled friend’s video diaries into a documentary   17/05 | Cannes 2024 | ACID Review: On Becoming a Guinea Fowl CANNES 2024: Rungano Nyoni isn’t afraid to get her hands dirty – especially when digging up the past   17/05 | Cannes 2024 | Un Certain Regard Interview: Giedrė Žickytė • Producer, Moonmakers “When I watched The Birds, I had no idea that my life would be connected with cinema” Lithuania’s Producer on the Move digs deep into her career and reveals the feature-length documentary projects she is currently working on   17/05 | Producers on the Move 2024 GoCritic! Review: Tony, Shelly and the Magic Light The winning film of Anifilm’s Czech Horizons competition is a technically marvellous piece of children’s animation that suffers from weak character development and cliched plot   17/05 | GoCritic! | Anifilm Liberec 2024 GoCritic! Review: Frequency We explore intimacy and the increased level of viewer's participation in VR films based on Japanese artist Ellie Omiya's 30-minute piece which screened in Anifilm's VR Competition   17/05 | GoCritic! | Anifilm Liberec 2024 GoCritic! Review: Kensuke's Kingdom Nick Boyle and Kirk Hendry's animated adaptation of the beloved Michael Morpurgo's novel is a gentle tale of human bonding with plenty of adventure and excitement   17/05 | GoCritic! | Anifilm Liberec 2024 Silvio Soldini slams the first clapperboard on The Tasters The Italian director’s new movie is based on Rosella Postorino’s international bestseller, inspired by the testimony of Adolf Hitler’s last food taster   17/05 | Production | Funding | Italian/Belgium/Switzerland Review: Meeting with Pol Pot CANNES 2024: Rithy Panh's highly personal style of fiction is a new variation on his cinematographic quest to shed light on the Cambodian genocide   16/05 | Cannes 2024 | Cannes Premiere Industry Reports New Media – 16/05/2024 The role of AI in the film sector takes centre stage at Cannes Next CANNES 2024: A discussion on the tools and applications of AI in filmmaking, alongside the legal considerations surrounding its use, marked the opening of this year’s edition Trailers/Teasers/Clips Marcello Mio by Christophe Honoré Cannes 2024 - Competition Interviews Yolande Zauberman • Director of The Belle from Gaza CANNES 2024: The French filmmaker talks about her new documentary which, after Would You Have Sex with an Arab? and M, completes her trilogy on the Israeli night

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